5. 布莱克纳 选择顺序 高清作品[92%]

Selection <em>Sequence</em>

图片文件尺寸 : 4324 x 4203px

Ross Bleckner:Selection Sequence, 2002
Aquatint and spitbite aquatint in colors on Somerset paper, signed in pencil, dated \'02\' and numbered AP 8 (an artist\'s proof aside from the edition of 35), with the blindstamp of the publisher/printer Pulson Bott Press/Renee Bott, California, with full margins.
27 x 27in (68.5 x 68.5cm)
sheet 37 3/4 x 36in (95.8 x 91.4cm)

布莱克纳 选择顺序

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6. 布莱克纳 插入顺序 高清作品[92%]

Insertion <em>Sequence</em>

图片文件尺寸 : 4358 x 4729px

Ross Bleckner:Insertion Sequence, 2002
Etching in colors with soapground and aquatint on Somerset paper, signed in pencil, dated and numbered AP8 (an artist\'s proof aside from the edition of 35), with the blindstamp of the publisher/printer, Paulson Bott Press, Berkeley, California, with full margins.
26 3/4 x 26 3/4in (67.9 x 67.9cm)
sheet 37 1/4 x 35 3/4in (94.6 x 90cm)

布莱克纳 插入顺序

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7. 布莱克纳 插入顺序 高清作品[92%]

Insertion <em>Sequence</em>

图片文件尺寸 : 4722 x 5884px

Ross Bleckner:Insertion Sequence, 2002
Etching in colors with soapground and aquatint on Somerset paper, signed in pencil, dated and numbered AP8 (an artist\'s proof aside from the edition of 35), with the blindstamp of the publisher/printer, Paulson Bott Press, Berkeley, CA, with full margins.
26 3/4 x 26 3/4in (67.9 x 67.9cm)
sheet 37 1/4 x 35 3/4in (94.6 x 90cm)

布莱克纳 插入顺序

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8. J、 杰伊·麦克维克 夜与河夜间序列 高清作品[87%]

Night and the River; Nocturnal <em>Sequence</em>

图片文件尺寸 : 4885 x 5479px

J. Jay McVicker:Night and the River; Nocturnal Sequence (2 works), 1943; 1942
Two aquatints on wove paper, both signed in pencil and numbered 9/25 and 8/25, respectively, both with full margins. (2 works)
10 3/4 x 15 1/2in (27.3 x 39.3cm); 10 3/4 x 15 1/2in (27.3 x 39.3cm)
sheet 15 1/2 x 19 3/4in (27.3 x 50.1cm); 14 7/8 x 19 3/4in (37.7 x 50.1cm)

J、 杰伊·麦克维克 夜与河夜间序列

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10. 阿里吉耶罗·波提 高清作品[33%]

DO-Alighiero Boetti - 现代艺术 I
图片文件像素：5357 x 5537 px

阿里吉耶罗·波提-

Alighiero Boetti * - Zeitgenössische Kunst I-

(Turin 1940–1994 Rome)
Naturale Artificiale, 1982, 2 parts, ballpen on paper laid on canvas / biro su carta intelata, each 100 x 70 cm, on stretcher (2)

The work is registered in the Archivio Alighiero Boetti and is accompanied by a photo certificate of authenticity, Rome, 30 May 2007

Photo-certificate, issued by La Bertesca/c.o. Masnata, Genoa, signed by the artist, Rome, October 1983

Provenance:
The artist Francesco Masnata, Genoa (formerly Galleria La Bertesca)
Private Collection, Southem 德国y – acquired directly from the above in the late 1990s

Literature:
Jean-Christophe Ammann, Alighiero Boetti, Catalogo generale, Vol 3, Milan 2015, Vol. 3, no. 1391 (with color illustration)

The work NATURALE ARTIFICIALE comes from Alighiero Boetti\'s biro drawings series. The artist created unique artistic narratives through play, poetry, measure, numbers, order and disorder, which he combined with material diversity, conceptual complexity, and extraordinary visual beauty. Boetti began his biro series in the 1970s, when he created entire sheets collaboratively using different coloured biro ink. Each work in the series contains panels of images created by different students, similar to Boetti\'s well-known tapestries. With a consistently playful approach to \"simple\" ideas, Boetti posed fundamental questions about contemporary art production. The liminal space between artist and author is a major concern in Boetti\'s catalogue of works.

The biro work offered here is a diptych of two sheets hand-coloured with red biros. Looking at the diptych as a whole, the irregular structure, gradations and patterns become apparent. Latin letters are arranged in alphabetical order on the left edge of the picture. Distributed over the two halves of the picture are small white commas in a seemingly arbitrary arrangement. A closer look at the signs reveals that they each correspond to one of the letters of the alphabet. When read in sequence from left to right, they themselves spell out the work’s title NATURALE ARTIFICIALE. Boetti\'s biro works are generally abstract images that name themselves.

\"My works arise from changing forms of collaboration. I am interested in primary things like the alphabet, maps, newspapers - not least because of the sudden surge of order and disorder. Everything has its own precise order, even if that order is realised in a disorderly way.\"
Alighiero Boetti

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11. 克里斯托（Javacheff Christo，当代艺术I 高清作品[30%]

DO-Christo (Javacheff Christo) - 现代艺术 I
图片文件像素：6353 x 5789 px

克里斯托（Javacheff Christo，当代艺术I-

Christo * (Javacheff Christo) - Zeitgenössische Kunst I-

(Gabrovo, Bulgaria 1935–2020 New York)
Wrapped Snoopy House (Collage), 2004, signed, dated Christo 2004, cloth, threads, charcoal, pencil, color crayon, paint and adhesive tape on cardboard, 61.2 x 55 cm,
framed under plexiglass

The wrapped Snoopy House is registered in the Christo and Jeanne-Claude Archives, New York.

We are grateful to Jonathan Henery, Christo and Jeanne-Claude Archives, New York, for his scientific support in cataloguing the work.

Provenance:
Studio of the artist
Collection of the printer and fabricator Jack Lemon, Chicago
Private collection, 德国y

Literature:
This work is the prototype for the multiple, published by Schulz Museum, Santa Rosa, California see: Matthias Koddenberg, Jörg Schellmann: Christo and Jeanne-Claude: Prints and Objects. Catalogue Raisonné, p. 213, no 188

Charles M. Schulz (1922-2000) was the cartoonist of the globally successful comic series \"Peanuts\". The 美国 author and illustrator portrayed 美国 suburban life from the perspective of a group of children in the daily comic strips, which ran for decades. Peanuts was special in that it combined pointed wit with philosophical reflection.

Most of the comic strips focus on the main characters Charlie Brown and his dog Snoopy. Snoopy, the white dog with the black floppy ears, is now considered an integral part of our popular culture.
Snoopy lives in a kennel in Charlie Brown\'s garden. There, the beagle spends most of his time lying lazily on the roof of his hut, the so-called Snoopy Dog House, pondering his philosophical thoughts while waiting for his next meal.

In 1975, Charles M. Schulz met the packaging artists Jeanne-Claude and Christo at a discussion group in Colorado. The cartoonist then paid tribute to the artist couple by creating a Peanuts comic strip in 1978 in which Christo wraps Snoopy‘s House in fabric. In the comic strip, Snoopy wonders what Christo will cover next and finds his house wrapped at the end of the sequence. Christo returned the cartoonist\'s compliment by turning the comic image into reality decades later, designing a life-size, three-dimensional doghouse for the Charles M. Schulz Museum and wrapping it in tarpaulin, polyethylene and rope.
The work offered here is an original collage with real fabric wrapping, created by Christo in 1994 as a prototype for the later multiple. The multiple is number 188 in the catalogue raisonné.
This original work came from the estate of printer Jack Lemon, who founded his life\'s work, the Landfall Press, in Chicago in 1970. Lemon and his team printed lithographs by Christo, Philip Pearlstein and Sol LeWitt, among others.

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